| What do you (really) meme? Pandemic memes as social political repositories S MacDonald Leisure Sciences 43 (1-2), 143-151, 2021 | 60 | 2021 |
| Feminist futures:# MeToo’s possibilities as poiesis, techné, and pharmakon BI Wiens, S MacDonald Feminist Media Studies 21 (7), 1108-1124, 2021 | 30 | 2021 |
| Mobilizing the “Multimangle”: Why New Materialist Research Methods in Public Participatory Art Matter S MacDonald, BI Wiens Leisure Sciences 41 (5), 366-384, 2019 | 22 | 2019 |
| Materializing Data: New Research Methods for Feminist Digital Humanities B Wiens, S Ruecker, J Roberts-Smith, M Radzikowska, S MacDonald Digital Studies/Le champ numérique 10 (1), 2020 | 15 | 2020 |
| Networked feminisms: Activist assemblies and digital practices S MacDonald, BI Wiens, M MacArthur, M Radzikowska London: Lexington Books, 2022 | 9* | 2022 |
| Carolee Schneemann's Fuses as Erotic Self-Portraiture S MacDonald CINEACTION-TORONTO- 71, 67, 2007 | 9 | 2007 |
| Refusing to Smile for the Patriarchy S MacDonald Journal of the Fantastic in the Arts 30 (1 (104), 68-84, 2019 | 8 | 2019 |
| The City (as) Place: Performative Re-mappings of Urban Space Through Artistic Research S MacDonald Performance As Research: Knowledge, Methods, Impact, 275-296, 2018 | 7 | 2018 |
| On Resonance in Contemporary Site-Specific Projection Art S MacDonald Performance Research 19 (6), 64-70, 2014 | 6 | 2014 |
| Materiality and Metaphor: Rape in Anne Claire Poirier’s Mourir à tue-tete and Jean-Luc Godard’s Weekend S MacDonald Rape in Art Cinema, 55-68, 2010 | 6 | 2010 |
| Living whose best life? An intersectional feminist interrogation of postfeminist# solidarity in# selfcare BI Wiens, S MacDonald NECS European Network for Cinema and Media Studies, 2021 | 5 | 2021 |
| Pop-Up Art and the Aesthetics of Assembly S MacDonald Canadian Theatre Review 176, 75-79, 2018 | 3 | 2018 |
| Visual Variations on Noguchi S MacDonald Senses of Cinema. http://archive. sensesofcinema. com/contents/cteq/09/50 …, 2009 | 3 | 2009 |
| Feminist memes: Digital communities, identity performance and resistance from the shadows S MacDonald, BI Wiens Materializing Digital Futures: Touch, Movement, Sound and Vision, 123, 2022 | 2 | 2022 |
| Reimagining Public Space in Expanded Cinema Exhibition S MacDonald Canadian Journal of Film Studies 27 (1), 16-30, 2018 | 2 | 2018 |
| The Psychogeographies of Site-Specific Art S MACDONALD Media Theory Journal 2 (1), http://mediatheoryjournal.org/shana-macd, 2018 | 2 | 2018 |
| Voicing Dissonance: Resistant Soundscapes in 1960s Feminist Experimental Film S MacDonald Feminist Media Histories 1 (4), 89-107, 2015 | 2 | 2015 |
| Spaces of Witness: Projection Art as a Site of Protest S MacDonald Media Fields 9, 2015 | 2 | 2015 |
| Meme-ifying Data: The Rise of Public Health Influencers on Instagram, TikTok, and Twitter during Covid-19 S MacDonald, W Brianna Journal of Digital Social Research 5 (3), 59-84, 2023 | 1 | 2023 |
| Geospatial Memory J Synenko, J Dovey, D Speakman, M Flintham, J Didur, LT Fan, M Portela, ... | 1 | 2018 |
Brianna I. WiensAssistant Professor, Department of English Language & Literature,University of WaterlooVerified email at uwaterloo.ca
