| Koncept vjerodostojnosti televizijske i internetske vijesti (informacije): Kritička analiza B Ružić Medijske studije 1 (1-2), 184-197, 2010 | 9 | 2010 |
| Fragmenti slike svijeta: Kritička analiza suvremene filmske i medijske produkcije S Stanić, B Ružić | 5 | 2012 |
| The image of the absent narrators: personal migrant memories in Žilnik’s docu-experiments B Ružić Studies in Documentary Film, 1-18, 2024 | | 2024 |
| The Perception of the “Migrant Threat” in Croatian Gorski Kotar by the Locals and Migrants through the Prism of Visibility and Invisibility B Ružić, SP D’Alessio Narodna umjetnost 61 (1), 77-94, 2024 | | 2024 |
| Counter-visual analysis of migrants' self-representational strategies: A pedagogical and psychological perspective B Ružić Critical Pedagogy, Race, and Media, 91-110, 2021 | | 2021 |
| The Spectator That Shoots Back B Ružić The Body Onscreen in the Digital Age: Essays on Voyeurism, Violence and …, 2021 | | 2021 |
| Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije B Ružić Filozofska istraživanja 40 (04/160), 729-743, 2020 | | 2020 |
| Lost in Narration: Transparent Storyteller and Mobile Spectator in Early Harun Farocki B Ružić Interdisciplinary Description of Complex Systems: INDECS 17 (2-A), 272-281, 2019 | | 2019 |
| Pogled iza ekrana: percipiranje slike u medijskim tekstovima B Ružić University of Zadar, 2018 | | 2018 |
| STEPS PILOT PROJECT EVALUATION RIJEKA, CROATIA 2017 — 2018 B Ružić, R Stanković, D Matić Benčić | | 2018 |
| Film narratology: depth of field and narration B Ruzic, S Vojkovic HRVATSKI FILMSKI LJETOPIS 23 (89), 5-+, 2017 | | 2017 |
| Filmska naratologija: dubina polja i pripovijedanje B Ružić, S Vojković Hrvatski filmski ljetopis 23 (89), 5-16, 2017 | | 2017 |
| Živjeti samouvjereno gledajući: Gotovčev film kao sadržajni, strukturalni i kulturalni eksperiment B Ružić, M Katalinić | | 2017 |
| Slika bez pogleda: logika i logistika percepcije dronova u ratnom filmu B Ružić Kontura art magazin 1 (134/135), 52-59, 2016 | | 2016 |
| The Image and its Double: Eisenstein, Farocki and the Dialectics of the Visual B Ružić | | 2016 |
| Towards a History of Media Conjuncture: The Daily Show, Audience and the "Revolution" B Ružić Media Business Models: Breaking the Traditional Value Chain, 2016 | | 2016 |
| Making Sense(s): Information and Visuality in Contemporary Ocular Defeatism B Ruzic The Journal of Communication and Media Studies 1 (Issue 1), 11-21, 2016 | | 2016 |
| Filmska i televizijska slika: od analogne simulacije vječnosti do digitalne stvarnosti trenutka B Ružić | | 2013 |
| Breaking the barrier: productive reading between “old” and “new” media B Ružić Breaking the Media Value Chain, 245, 2013 | | 2013 |
| Film and Television Image: From Analogue Simulation of Eternity to Digital Reality of the Moment B Ružić Avanture kulture: kulturalni studiji u lokalnom kontekstu, 2013 | | 2013 |
