Ana Peraica
Ana Peraica
Visiting fellow, Central European University (CEU)
Verified email at ceu.edu - Homepage
Title
Cited by
Cited by
Year
Culture of the selfie: self-representation in contemporary visual culture
A Peraica
Theory on Demand, 2017
222017
Victims’ Symptom (PTSD and Culture)
A Peraica
Institute for Networked Cultures 3, 1-158, 2009
52009
A Corruption of a Grand Narrative of Art
A Peraica
East Art Map, 472-7., 2006
52006
Smuggling anthologies reader
A Peraica, S Salamon, G Carbi, MT Mlinar, M Mitrović, T Brajnović, ...
MMSU, 2015
22015
Sub/version: Essays in Contemporary Art and Culture
A Peraica
Revolver Publishing by Vice Versa, 2009
22009
Image science: Iconology, visual culture, and media aesthetics
A Peraica
Leonardo 49 (3), 285-285, 2016
12016
The aesthetics of the negative or; the negative dialectics of photography
A Peraica
Journal of Physics: Conference Series 231 (1), 012013, 2010
12010
Time travel and photographic negatives: Theory of the post-negative world
A Peraica
Art and Education Papers, 2010
12010
Mind the film: Photographs and films with lost narratives
A Peraica
Afterimage: The Journal of Media Arts and Cultural Criticism 37 (2), 45-48, 2009
12009
Chauvinist and Elitist Obstacles around Youtube and Porntube
A Peraica
Videovortex (Responses to Youtube), 189-196, 2008
12008
On the Indifference [inhabiting'in-between'as a territory]
A Peraica
Communication Front 2001 "Crossing Points East-West: Crossing Points between …, 2001
12001
Nonhuman Photography
A Peraica
Leonardo 52 (1), 95-96, 2019
2019
The Age of Total Images
A Peraica
Institute of Network Cultures, 2019
2019
Immediations: The Humanitarian Impulse in Documentary
A Peraica
Leonardo, 198-199, 2018
2018
Post-digital paradigm shift: from Narcissus to Perseus
A Peraica
2017
Mirror Affect: Seeing Self, Observing Others in Contemporary Art
A Peraica
Leonardo 50 (5), 544-544, 2017
2017
Big Data, Little Data, No Data: Scholarship in the Networked World
A Peraica
Leonardo 49 (1), 91-92, 2016
2016
Formalism and Historicity: Models and Methods in Twentieth-Century Art by Benjamin HD Buchloh
A Peraica
Leonardo reviews 49 (3), 285, 2016
2016
THE SPECIFICITIES OF INTERMEDIALITY OF PAINTING AND TECHNOLOGY OF PHOTOGRAPHY: SOME THEORIES AND EXAMPLES
A Peraica
Креативная экономика и социальные инновации 5 (2), 11-22, 2015
2015
“SELFIE” AS THE PARADIGM OF CULTURAL CHANGE
A Peraica
Креативная экономика и социальные инновации 4 (2), 10-21, 2014
2014
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Articles 1–20