| Culture of the selfie: self-representation in contemporary visual culture A Peraica Theory on Demand, 2017 | 21 | 2017 |
| Victims’ Symptom (PTSD and Culture) A Peraica Institute for Networked Cultures 3, 1-158, 2009 | 5 | 2009 |
| A Corruption of a Grand Narrative of Art A Peraica East Art Map, 472-7., 2006 | 5 | 2006 |
| Smuggling anthologies reader A Peraica, S Salamon, G Carbi, MT Mlinar, M Mitrović, T Brajnović, ... MMSU, 2015 | 2 | 2015 |
| Sub/version: Essays in Contemporary Art and Culture A Peraica Revolver Publishing by Vice Versa, 2009 | 2 | 2009 |
| Image science: Iconology, visual culture, and media aesthetics A Peraica Leonardo 49 (3), 285-285, 2016 | 1 | 2016 |
| The aesthetics of the negative or; the negative dialectics of photography A Peraica Journal of Physics: Conference Series 231 (1), 012013, 2010 | 1 | 2010 |
| Time travel and photographic negatives: Theory of the post-negative world A Peraica Art and Education Papers, 2010 | 1 | 2010 |
| Mind the film: Photographs and films with lost narratives A Peraica Afterimage: The Journal of Media Arts and Cultural Criticism 37 (2), 45-48, 2009 | 1 | 2009 |
| Chauvinist and Elitist Obstacles around Youtube and Porntube A Peraica Videovortex (Responses to Youtube), 189-196, 2008 | 1 | 2008 |
| On the Indifference [inhabiting'in-between'as a territory] A Peraica Communication Front 2001 "Crossing Points East-West: Crossing Points between …, 2001 | 1 | 2001 |
| Nonhuman Photography A Peraica Leonardo 52 (1), 95-96, 2019 | | 2019 |
| Immediations: The Humanitarian Impulse in Documentary A Peraica Leonardo, 198-199, 2018 | | 2018 |
| Post-digital paradigm shift: from Narcissus to Perseus A Peraica | | 2017 |
| Mirror Affect: Seeing Self, Observing Others in Contemporary Art A Peraica Leonardo 50 (5), 544-544, 2017 | | 2017 |
| Big Data, Little Data, No Data: Scholarship in the Networked World A Peraica Leonardo 49 (1), 91-92, 2016 | | 2016 |
| Formalism and Historicity: Models and Methods in Twentieth-Century Art by Benjamin HD Buchloh A Peraica Leonardo reviews 49 (3), 285, 2016 | | 2016 |
| THE SPECIFICITIES OF INTERMEDIALITY OF PAINTING AND TECHNOLOGY OF PHOTOGRAPHY: SOME THEORIES AND EXAMPLES A Peraica Креативная экономика и социальные инновации 5 (2), 11-22, 2015 | | 2015 |
| “SELFIE” AS THE PARADIGM OF CULTURAL CHANGE A Peraica Креативная экономика и социальные инновации 4 (2), 10-21, 2014 | | 2014 |
| Mass Spamming A Peraica Ideja radikalnih medija, 2013 | | 2013 |
