Alice Eldridge

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Chris KieferUniversity of SussexVerified email at sussex.ac.uk
Mika PeckUniversity of SussexVerified email at sussex.ac.uk
Alison JohnstonUniversity of St AndrewsVerified email at st-andrews.ac.uk
Jon McCormackMonash UniversityVerified email at monash.edu
Alan DorinMonash University, AustraliaVerified email at monash.edu
Michael A. CaseyProfessor, Dartmouth College (USA)Verified email at dartmouth.edu
Oliver BownAssociate Professor, UNSW Art & DesignVerified email at unsw.edu.au
Jonathan Carruthers-JonesUniversity of LeedsVerified email at leeds.ac.uk
Dan OverholtAalborg University CopenhagenVerified email at create.aau.dk
Zhengguo ShengReader in University of Sussex, UKVerified email at sussex.ac.uk
Victor C. M. LeungShenzhen University / The University of British ColumbiaVerified email at ieee.org
Phil HusbandsResearch Professor of AI, University of SussexVerified email at sussex.ac.uk
George HolmesProfessor of Conservation and Society, University of LeedsVerified email at leeds.ac.uk
Christopher HassallUniversity of LeedsVerified email at leeds.ac.uk
Peng LiAssistant Professor of Medicine, Harvard Medical SchoolVerified email at bwh.harvard.edu
Thomas PellegriniLecturer, University of Toulouse, IRITVerified email at irit.fr
James BakerDirector of Digital Humanities, University of SouthamptonVerified email at soton.ac.uk
Thor MagnussonDept of Music, University of Sussex | Intelligent Instruments Lab, Iceland University of the ArtsVerified email at sussex.ac.uk
Una-May O'ReillyMIT, CSAIL, Any Scale Learning for All (ALFA) GroupVerified email at csail.mit.edu
Paulo UrbanoUniversidade de LisboaVerified email at di.fc.ul.pt

Alice Eldridge

Reader in Sonic Systems

Verified email at ecila.org - Homepage

Ecoacoustics Soundscape Adaptive Systems Feedback Musicianship


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Understanding interaction in contemporary digital music: From instruments to behavioural objects O Bown, A Eldridge, J McCormack Organised Sound 14 (2), 188-196, 2009	101	2009
Sounding out ecoacoustic metrics: Avian species richness is predicted by acoustic indices in temperate but not tropical habitats A Eldridge, P Guyot, P Moscoso, A Johnston, Y Eyre-Walker, M Peck Ecological Indicators 95, 939-952, 2018	96	2018
A new method for ecoacoustics? Toward the extraction and evaluation of ecologically-meaningful soundscape components using sparse coding methods A Eldridge, M Casey, P Moscoso, M Peck PeerJ 4, e2108, 2016	65*	2016
Wireless acoustic sensor networks and edge computing for rapid acoustic monitoring Z Sheng, S Pfersich, A Eldridge, J Zhou, D Tian, VCM Leung IEEE/CAA Journal of Automatica Sinica 6 (1), 64-74, 2019	47	2019
Self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. A Eldridge, C Kiefer NIME, 25-29, 2017	37	2017
Issues in auditory display A Eldridge Artificial Life 12 (2), 259-274, 2006	33	2006
Generative algorithms for making music: emergence, evolution, and ecosystems J McCormack, A Eldridge, A Dorin, P McIlwain na, 2009	28	2009
An introduction to evolutionary computing for musicians P Husbands, P Copley, A Eldridge, J Mandelis Evolutionary computer music, 1-27, 2007	27	2007
The call of the wild: Investigating the potential for ecoacoustic methods in mapping wilderness areas J Carruthers-Jones, A Eldridge, P Guyot, C Hassall, G Holmes Science of the Total Environment 695, 133797, 2019	24	2019
Emotional associations with soundscape reflect human-environment relationships P Moscoso, M Peck, A Eldridge Journal of Ecoacoustics 2 (1), 1, 2018	21	2018
Collaborating with the behaving machine: simple adaptive dynamical systems for generative and interactive music A Eldridge University of Sussex, 2007	20	2007
Ecoacoustics and multispecies semiosis: Naming, semantics, semiotic characteristics, and competencies A Farina, A Eldridge, P Li Biosemiotics 14, 141-165, 2021	18	2021
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics C Kiefer, D Overholt, A Eldridge 20th International Conference on New Interfaces for Musical Expression, 343-348, 2020	17	2020
Filterscape: Energy recycling in a creative ecosystem A Eldridge, A Dorin Applications of Evolutionary Computing: EvoWorkshops 2009: EvoCOMNET …, 2009	17	2009
Psychological benefits of networking technologies in children’s experience of ensemble music making F Hanrahan, E Hughes, R Banerjee, A Eldridge, C Kiefer International Journal of Music Education 37 (1), 59-77, 2019	16	2019
Manipulating artificial ecosystems A Eldridge, A Dorin, J McCormack Applications of Evolutionary Computing: EvoWorkshops 2008: EvoCOMNET, EvoFIN …, 2008	16	2008
Toward a synthetic acoustic ecology: Sonically situated, evolutionary agent based models of the acoustic niche hypothesis A Eldridge, C Kiefer ALIFE 2018: The 2018 Conference on Artificial Life, 296-303, 2018	15	2018
Systematic literature review on the association between soundscape and ecological/human wellbeing P Moscoso, M Peck, A Eldridge PeerJ Preprints, 2018	15	2018
Cyborg dancing: generative systems for man machine musical improvisation A Eldridge Proceedings of third Iteration, 129-141, 2005	15	2005
Self-resonating Vibrotactile Feedback Instruments\|\|: Making, Playing, Conceptualising:\|\| A Eldridge, C Kiefer, D Overholt, H Ulfarsson PubPub, 2021	10	2021

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